Friday, September 29, 2017

Alamat ng Sari-manok

Alamat ng Sari-manok

By: Arnel Mahilom

Mahalagang sagisag ng mga kapatid nating Muslim sa Mindanao ang sari-manok. Mayaman sa katha at mga kuwentong-bayan ang tungkol sa simu-simula ng sari-manok. Alamin natin.

May kaisa-isang anak na dalaga ang sultang Maranao sa Lanao. Maganda, mabait, magulang, at matulungion si Sari. Hindi kataka-takang mapamahal sa Sultan at sa mga tao si Sari.

Nang sumapit ang ikalabingwalong kalarawan ni Sari, isang malaking piging ang iginayak ng USltan para sa kanya. Ipinagdiwang ito sa malawak na bakuran nina Sari. Nagagayakan ang buong paligid. Talagang marangya at masaganang salu-salo ang inihanda ng Sultan sa pinakamamahal niyang anak.

Masayang-masaya ang lahat. Nang biglang may lumitaw na malaking-malaking manok na tandang. Nagulat ang balana. Hangang-hanga sila sa magarang tindig ng manok. Lalo pang nagulat sila nang sa isang iglap ay nagbago ng anyo ang tandang na manok. Naging isang napakakisig na prinsipe ito. Magalang itong bumati sa lahat at Pagkatapos ay nagsalita nang malakas.

“Naparito ako upang kunin ang dalagang minamahal ko. Siya ay Matagal ko nang inalagaan, binantayan, at minahal,” ang sabi ng mahiwagang prinsipe. Lalong nagulat ang lahat at halos walang nakakilos o nakapagsalita man lamang.

Muling nag-anyong tandang ito at kinuha ang dalagang binaggit niya na walang iba kundi si Sari. Lumipad itong paitaas. Mula noon ay hindi na nakita pa si Sari at ang manok.

Lungkot na lungkot ang Sultan. Hinintay ang pagbabalik ni Sari at ng manok. Ngunit hindi na sila nagbalik. Iniutos ng sultan sa pinakamagaling na manlililok ng tribu na lumilok sa kahoy ng magilas na tandang na iyon na tumangay sa kanyang anak.

Nayari ang isang napakagandang lilok sa kahoy. Ito ay mahal na mahal ng Sultan. Tinawag niya itong sari-manok. Naging simbolo ito ng tribu.

Maraming naging kapaniwalaan tungkol sa sari-manok. Maraming salaysay tungkol rito. Ang sari-manok ay naging sagisag din ng pagkakaroon ng dugong bughaw, katanyagan, kayamanan, at karangalan. Ang simbolong sari-manok ay dapat ipagmalaki ng bawat Pilipino, pagkat ito sa kasalukuyan ay isang sagisag ng ating bansa.

May iba pang mga palagay at haka-haka tungkol sa sari-manok. Ito raw ay gintong ibon na ayon sa iba ay siyang nagdala sa mga tao sa pulo ng Mindanao ng maraming biyaya.
Anuman ang hiwagang nakabalot hinggil sa sari-manok, ito ay mananatiling sagisag ng mga kapatid na Muslim sa Mindanao isang likhang sining at mapa na ng ating mga ninuno

The Presidente Who Had Horns

THE PRESIDENTE WHO HAD HORNS

Ilocano

Once there was a presidente  who was very unjust to his people, and one day he became so angry that he wished he had horns so that he might frighten them. No sooner had he made this rash wish, than horns began to grow on his head.

He sent for a barber who came to his house to cut his hair, and as he worked the presidente asked:

"What do you see on my head?"

"I see nothing," answered the barber; for although he could see the horns plainly, he was afraid to say so.

Soon, however, the presidente put up his hands and felt the horns, and then when he inquired again the barber told him that he had two horns.

"If you tell anyone what you have seen, you shall be hanged," said the presidente as the barber started away, and he was greatly frightened.

When he reached home, the barber did not intend to tell anyone, for he was afraid; but as he thought of his secret more and more, the desire to tell someone became so strong that he knew he could not keep it. Finally he went to the field and dug a hole under some bamboo, and when the hole was large enough he crawled in and whispered that the presidente had horns. He then climbed out, filled up the hole, and went home.

By and by some people came along the road on their way to market, and as they passed the bamboo they stopped in amazement, for surely a voice came from the trees, and it said that the presidente had horns. These people hastened to market and told what they had heard, and the people there went to the bamboo to listen to the strange voice. They informed others, and soon the news had spread all over the town. The councilmen were told, and they, too, went to the bamboo. When they had heard the voice, they ran to the house of the presidente. But his wife said that he was ill and they could not see him.

By this time the horns had grown until they were one foot in length, and the presidente was so ashamed that he bade his wife tell the people that he could not talk. She told this to the councilmen when they came on the following day, but they replied that they must see him, for they had heard that he had horns, and if this were true he had no right to govern the people.

She refused to let them in, so they broke down the door. They saw the horns on the head of the presidente and killed him. For, they said, he was no better than an animal.

A Jury of Her Peers


A Jury of Her Peers

by Susan Glaspell

When Martha Hale opened the storm-door and got a cut of the north wind, she ran back for her big woolen scarf. As she hurriedly wound that round her head her eye made a scandalized sweep of her kitchen. It was no ordinary thing that called her away--it was probably further from ordinary than anything that had ever happened in Dickson County. But what her eye took in was that her kitchen was in no shape for leaving: her bread all ready for mixing, half the flour sifted and half unsifted.

She hated to see things half done; but she had been at that when the team from town stopped to get Mr. Hale, and then the sheriff came running in to say his wife wished Mrs. Hale would come too--adding, with a grin, that he guessed she was getting scary and wanted another woman along. So she had dropped everything right where it was.

"Martha!" now came her husband's impatient voice. "Don't keep folks waiting out here in the cold."

She again opened the storm-door, and this time joined the three men and the one woman waiting for her in the big two-seated buggy.

After she had the robes tucked around her she took another look at the woman who sat beside her on the back seat. She had met Mrs. Peters the year before at the county fair, and the thing she remembered about her was that she didn't seem like a sheriff's wife. She was small and thin and didn't have a strong voice. Mrs. Gorman, sheriff's wife before Gorman went out and Peters came in, had a voice that somehow seemed to be backing up the law with every word. But if Mrs. Peters didn't look like a sheriff's wife, Peters made it up in looking like a sheriff. He was to a dot the kind of man who could get himself elected sheriff--a heavy man with a big voice, who was particularly genial with the law-abiding, as if to make it plain that he knew the difference between criminals and non-criminals. And right there it came into Mrs. Hale's mind, with a stab, that this man who was so pleasant and lively with all of them was going to the Wrights' now as a sheriff.

"The country's not very pleasant this time of year," Mrs. Peters at last ventured, as if she felt they ought to be talking as well as the men.

Mrs. Hale scarcely finished her reply, for they had gone up a little hill and could see the Wright place now, and seeing it did not make her feel like talking. It looked very lonesome this cold March morning. It had always been a lonesome-looking place. It was down in a hollow, and the poplar trees around it were lonesome-looking trees. The men were looking at it and talking about what had happened. The county attorney was bending to one side of the buggy, and kept looking steadily at the place as they drew up to it.

"I'm glad you came with me," Mrs. Peters said nervously, as the two women were about to follow the men in through the kitchen door.

Even after she had her foot on the door-step, her hand on the knob, Martha Hale had a moment of feeling she could not cross that threshold. And the reason it seemed she couldn't cross it now was simply because she hadn't crossed it before. Time and time again it had been in her mind, "I ought to go over and see Minnie Foster"--she still thought of her as Minnie Foster, though for twenty years she had been Mrs. Wright. And then there was always something to do and Minnie Foster would go from her mind. But now she could come.

The men went over to the stove. The women stood close together by the door. Young Henderson, the county attorney, turned around and said, "Come up to the fire, ladies."

Mrs. Peters took a step forward, then stopped. "I'm not--cold," she said.

And so the two women stood by the door, at first not even so much as looking around the kitchen.

The men talked for a minute about what a good thing it was the sheriff had sent his deputy out that morning to make a fire for them, and then Sheriff Peters stepped back from the stove, unbuttoned his outer coat, and leaned his hands on the kitchen table in a way that seemed to mark the beginning of official business. "Now, Mr. Hale," he said in a sort of semi-official voice, "before we move things about, you tell Mr. Henderson just what it was you saw when you came here yesterday morning."

The county attorney was looking around the kitchen.

"By the way," he said, "has anything been moved?" He turned to the sheriff. "Are things just as you left them yesterday?"

Peters looked from cupboard to sink; from that to a small worn rocker a little to one side of the kitchen table.

"It's just the same."

"Somebody should have been left here yesterday," said the county attorney.

"Oh--yesterday," returned the sheriff, with a little gesture as of yesterday having been more than he could bear to think of. "When I had to send Frank to Morris Center for that man who went crazy--let me tell you. I had my hands full yesterday. I knew you could get back from Omaha by today, George, and as long as I went over everything here myself--"

"Well, Mr. Hale," said the county attorney, in a way of letting what was past and gone go, "tell just what happened when you came here yesterday morning."

Mrs. Hale, still leaning against the door, had that sinking feeling of the mother whose child is about to speak a piece. Lewis often wandered along and got things mixed up in a story. She hoped he would tell this straight and plain, and not say unnecessary things that would just make things harder for Minnie Foster. He didn't begin at once, and she noticed that he looked queer--as if standing in that kitchen and having to tell what he had seen there yesterday morning made him almost sick.

"Yes, Mr. Hale?" the county attorney reminded.

"Harry and I had started to town with a load of potatoes," Mrs. Hale's husband began.

Harry was Mrs. Hale's oldest boy. He wasn't with them now, for the very good reason that those potatoes never got to town yesterday and he was taking them this morning, so he hadn't been home when the sheriff stopped to say he wanted Mr. Hale to come over to the Wright place and tell the county attorney his story there, where he could point it all out. With all Mrs. Hale's other emotions came the fear now that maybe Harry wasn't dressed warm enough--they hadn't any of them realized how that north wind did bite.

"We come along this road," Hale was going on, with a motion of his hand to the road over which they had just come, "and as we got in sight of the house I says to Harry, 'I'm goin' to see if I can't get John Wright to take a telephone.' You see," he explained to Henderson, "unless I can get somebody to go in with me they won't come out this branch road except for a price I can't pay. I'd spoke to Wright about it once before; but he put me off, saying folks talked too much anyway, and all he asked was peace and quiet--guess you know about how much he talked himself. But I thought maybe if I went to the house and talked about it before his wife, and said all the women-folks liked the telephones, and that in this lonesome stretch of road it would be a good thing--well, I said to Harry that that was what I was going to say--though I said at the same time that I didn't know as what his wife wanted made much difference to John--"

Now there he was!--saying things he didn't need to say. Mrs. Hale tried to catch her husband's eye, but fortunately the county attorney interrupted with:

"Let's talk about that a little later, Mr. Hale. I do want to talk about that but, I'm anxious now to get along to just what happened when you got here."

When he began this time, it was very deliberately and carefully:

"I didn't see or hear anything. I knocked at the door. And still it was all quiet inside. I knew they must be up--it was past eight o'clock. So I knocked again, louder, and I thought I heard somebody say, 'Come in.' I wasn't sure--I'm not sure yet. But I opened the door--this door," jerking a hand toward the door by which the two women stood. "and there, in that rocker"--pointing to it--"sat Mrs. Wright."

Everyone in the kitchen looked at the rocker. It came into Mrs. Hale's mind that that rocker didn't look in the least like Minnie Foster--the Minnie Foster of twenty years before. It was a dingy red, with wooden rungs up the back, and the middle rung was gone, and the chair sagged to one side.

"How did she--look?" the county attorney was inquiring.

"Well," said Hale, "she looked--queer."

"How do you mean--queer?"

As he asked it he took out a note-book and pencil. Mrs. Hale did not like the sight of that pencil. She kept her eye fixed on her husband, as if to keep him from saying unnecessary things that would go into that note-book and make trouble.

Hale did speak guardedly, as if the pencil had affected him too.

"Well, as if she didn't know what she was going to do next. And kind of--done up."

"How did she seem to feel about your coming?"

"Why, I don't think she minded--one way or other. She didn't pay much attention. I said, 'Ho' do, Mrs. Wright? It's cold, ain't it?' And she said. 'Is it?'--and went on pleatin' at her apron.

"Well, I was surprised. She didn't ask me to come up to the stove, or to sit down, but just set there, not even lookin' at me. And so I said: 'I want to see John.'

"And then she--laughed. I guess you would call it a laugh.

"I thought of Harry and the team outside, so I said, a little sharp, 'Can I see John?' 'No,' says she--kind of dull like. 'Ain't he home?' says I. Then she looked at me. 'Yes,' says she, 'he's home.' 'Then why can't I see him?' I asked her, out of patience with her now. 'Cause he's dead' says she, just as quiet and dull--and fell to pleatin' her apron. 'Dead?' says, I, like you do when you can't take in what you've heard.

"She just nodded her head, not getting a bit excited, but rockin' back and forth.

"'Why--where is he?' says I, not knowing what to say.

"She just pointed upstairs--like this"--pointing to the room above.

"I got up, with the idea of going up there myself. By this time I--didn't know what to do. I walked from there to here; then I says: 'Why, what did he die of?'

"'He died of a rope around his neck,' says she; and just went on pleatin' at her apron."

Hale stopped speaking, and stood staring at the rocker, as if he were still seeing the woman who had sat there the morning before. Nobody spoke; it was as if every one were seeing the woman who had sat there the morning before.

"And what did you do then?" the county attorney at last broke the silence.

"I went out and called Harry. I thought I might--need help. I got Harry in, and we went upstairs." His voice fell almost to a whisper. "There he was--lying over the--"

"I think I'd rather have you go into that upstairs," the county attorney interrupted, "where you can point it all out. Just go on now with the rest of the story."

"Well, my first thought was to get that rope off. It looked--"

He stopped, his face twitching.

"But Harry, he went up to him, and he said. 'No, he's dead all right, and we'd better not touch anything.' So we went downstairs.

"She was still sitting that same way. 'Has anybody been notified?' I asked. 'No, says she, unconcerned.

"'Who did this, Mrs. Wright?' said Harry. He said it businesslike, and she stopped pleatin' at her apron. 'I don't know,' she says. 'You don't know?' says Harry. 'Weren't you sleepin' in the bed with him?' 'Yes,' says she, 'but I was on the inside. 'Somebody slipped a rope round his neck and strangled him, and you didn't wake up?' says Harry. 'I didn't wake up,' she said after him.

"We may have looked as if we didn't see how that could be, for after a minute she said, 'I sleep sound.'

"Harry was going to ask her more questions, but I said maybe that weren't our business; maybe we ought to let her tell her story first to the coroner or the sheriff. So Harry went fast as he could over to High Road--the Rivers' place, where there's a telephone."

"And what did she do when she knew you had gone for the coroner?" The attorney got his pencil in his hand all ready for writing.

"She moved from that chair to this one over here"--Hale pointed to a small chair in the corner--"and just sat there with her hands held together and lookin down. I got a feeling that I ought to make some conversation, so I said I had come in to see if John wanted to put in a telephone; and at that she started to laugh, and then she stopped and looked at me--scared."

At the sound of a moving pencil the man who was telling the story looked up.

"I dunno--maybe it wasn't scared," he hastened: "I wouldn't like to say it was. Soon Harry got back, and then Dr. Lloyd came, and you, Mr. Peters, and so I guess that's all I know that you don't."

He said that last with relief, and moved a little, as if relaxing. Everyone moved a little. The county attorney walked toward the stair door.

"I guess we'll go upstairs first--then out to the barn and around there."

He paused and looked around the kitchen.

"You're convinced there was nothing important here?" he asked the sheriff. "Nothing that would--point to any motive?"

The sheriff too looked all around, as if to re-convince himself.

"Nothing here but kitchen things," he said, with a little laugh for the insignificance of kitchen things.

The county attorney was looking at the cupboard--a peculiar, ungainly structure, half closet and half cupboard, the upper part of it being built in the wall, and the lower part just the old-fashioned kitchen cupboard. As if its queerness attracted him, he got a chair and opened the upper part and looked in. After a moment he drew his hand away sticky.

"Here's a nice mess," he said resentfully.

The two women had drawn nearer, and now the sheriff's wife spoke.

"Oh--her fruit," she said, looking to Mrs. Hale for sympathetic understanding.

She turned back to the county attorney and explained: "She worried about that when it turned so cold last night. She said the fire would go out and her jars might burst."

Mrs. Peters' husband broke into a laugh.

"Well, can you beat the women! Held for murder, and worrying about her preserves!"

The young attorney set his lips.

"I guess before we're through with her she may have something more serious than preserves to worry about."

"Oh, well," said Mrs. Hale's husband, with good-natured superiority, "women are used to worrying over trifles."

The two women moved a little closer together. Neither of them spoke. The county attorney seemed suddenly to remember his manners--and think of his future.

"And yet," said he, with the gallantry of a young politician. "for all their worries, what would we do without the ladies?"

The women did not speak, did not unbend. He went to the sink and began washing his hands. He turned to wipe them on the roller towel--whirled it for a cleaner place.

"Dirty towelsl Not much of a housekeeper, would you say, ladies?"

He kicked his foot against some dirty pans under the sink.

"There's a great deal of work to be done on a farm," said Mrs. Hale stiffly.

"To be sure. And yet"--with a little bow to her--'I know there are some Dickson County farm-houses that do not have such roller towels." He gave it a pull to expose its full length again.

"Those towels get dirty awful quick. Men's hands aren't always as clean as they might be.

"Ah, loyal to your sex, I see," he laughed. He stopped and gave her a keen look, "But you and Mrs. Wright were neighbors. I suppose you were friends, too."

Martha Hale shook her head.

"I've seen little enough of her of late years. I've not been in this house--it's more than a year."

"And why was that? You didn't like her?"

"I liked her well enough," she replied with spirit. "Farmers' wives have their hands full, Mr. Henderson. And then--" She looked around the kitchen.

"Yes?" he encouraged.

"It never seemed a very cheerful place," said she, more to herself than to him.

"No," he agreed; "I don't think anyone would call it cheerful. I shouldn't say she had the home-making instinct."

"Well, I don't know as Wright had, either," she muttered.

"You mean they didn't get on very well?" he was quick to ask.

"No; I don't mean anything," she answered, with decision. As she turned a lit- tle away from him, she added: "But I don't think a place would be any the cheerfuller for John Wright's bein' in it."

"I'd like to talk to you about that a little later, Mrs. Hale," he said. "I'm anxious to get the lay of things upstairs now."

He moved toward the stair door, followed by the two men.

"I suppose anything Mrs. Peters does'll be all right?" the sheriff inquired. "She was to take in some clothes for her, you know--and a few little things. We left in such a hurry yesterday."

The county attorney looked at the two women they were leaving alone there among the kitchen things.

"Yes--Mrs. Peters," he said, his glance resting on the woman who was not Mrs. Peters, the big farmer woman who stood behind the sheriff's wife. "Of course Mrs. Peters is one of us," he said, in a manner of entrusting responsibility. "And keep your eye out, Mrs. Peters, for anything that might be of use. No telling; you women might come upon a clue to the motive--and that's the thing we need."

Mr. Hale rubbed his face after the fashion of a showman getting ready for a pleasantry.

"But would the women know a clue if they did come upon it?" he said; and, having delivered himself of this, he followed the others through the stair door.

The women stood motionless and silent, listening to the footsteps, first upon the stairs, then in the room above them.

Then, as if releasing herself from something strange. Mrs. Hale began to arrange the dirty pans under the sink, which the county attorney's disdainful push of the foot had deranged.

"I'd hate to have men comin' into my kitchen," she said testily--"snoopin' round and criticizin'."

"Of course it's no more than their duty," said the sheriff's wife, in her manner of timid acquiescence.

"Duty's all right," replied Mrs. Hale bluffly; "but I guess that deputy sheriff that come out to make the fire might have got a little of this on." She gave the roller towel a pull. 'Wish I'd thought of that sooner! Seems mean to talk about her for not having things slicked up, when she had to come away in such a hurry."

She looked around the kitchen. Certainly it was not "slicked up." Her eye was held by a bucket of sugar on a low shelf. The cover was off the wooden bucket, and beside it was a paper bag--half full.

Mrs. HaIe moved toward it.

"She was putting this in there," she said to herself--slowly.

She thought of the flour in her kitchen at home--half sifted, half not sifted. She had been interrupted, and had left things half done. What had interrupted Minnie Foster? Why had that work been left half done? She made a move as if to finish it,--unfinished things always bothered her,--and then she glanced around and saw that Mrs. Peters was watching her--and she didn't want Mrs. Peters to get that feeling she had got of work begun and then--for some reason--not finished.

"It's a shame about her fruit," she said, and walked toward the cupboard that the county attorney had opened, and got on the chair, murmuring: "I wonder if it's all gone."

It was a sorry enough looking sight, but "Here's one that's all right," she said at last. She held it toward the light. "This is cherries, too." She looked again. "I declare I believe that's the only one."

With a sigh, she got down from the chair, went to the sink, and wiped off the bottle.

"She'Il feel awful bad, after all her hard work in the hot weather. I remember the afternoon I put up my cherries last summer.

She set the bottle on the table, and, with another sigh, started to sit down in the rocker. But she did not sit down. Something kept her from sitting down in that chair. She straightened--stepped back, and, half turned away, stood looking at it, seeing the woman who had sat there "pleatin' at her apron."

The thin voice of the sheriff's wife broke in upon her: "I must be getting those things from the front-room closet." She opened the door into the other room, started in, stepped back. "You coming with me, Mrs. Hale?" she asked nervously. "You--you could help me get them."

They were soon back--the stark coldness of that shut-up room was not a thing to linger in.

"My!" said Mrs. Peters, dropping the things on the table and hurrying to the stove.

Mrs. Hale stood examining the clothes the woman who was being detained in town had said she wanted.

"Wright was close!" she exclaimed, holding up a shabby black skirt that bore the marks of much making over. "I think maybe that's why she kept so much to herself. I s'pose she felt she couldn't do her part; and then, you don't enjoy things when you feel shabby. She used to wear pretty clothes and be lively--when she was Minnie Foster, one of the town girls, singing in the choir. But that--oh, that was twenty years ago."

With a carefulness in which there was something tender, she folded the shabby clothes and piled them at one corner of the table. She looked up at Mrs. Peters, and there was something in the other woman's look that irritated her.

"She don't care," she said to herself. "Much difference it makes to her whether Minnie Foster had pretty clothes when she was a girl."

Then she looked again, and she wasn't so sure; in fact, she hadn't at any time been perfectly sure about Mrs. Peters. She had that shrinking manner, and yet her eyes looked as if they could see a long way into things.

"This all you was to take in?" asked Mrs. Hale.

"No," said the sheriffs wife; "she said she wanted an apron. Funny thing to want, " she ventured in her nervous little way, "for there's not much to get you dirty in jail, goodness knows. But I suppose just to make her feel more natural. If you're used to wearing an apron--. She said they were in the bottom drawer of this cupboard. Yes--here they are. And then her little shawl that always hung on the stair door."

She took the small gray shawl from behind the door leading upstairs, and stood a minute looking at it.

Suddenly Mrs. Hale took a quick step toward the other woman, "Mrs. Peters!"

"Yes, Mrs. Hale?"

"Do you think she--did it?'

A frightened look blurred the other thing in Mrs. Peters' eyes.

"Oh, I don't know," she said, in a voice that seemed to shink away from the subject.

"Well, I don't think she did," affirmed Mrs. Hale stoutly. "Asking for an apron, and her little shawl. Worryin' about her fruit."

"Mr. Peters says--." Footsteps were heard in the room above; she stopped, looked up, then went on in a lowered voice: "Mr. Peters says--it looks bad for her. Mr. Henderson is awful sarcastic in a speech, and he's going to make fun of her saying she didn't--wake up."

For a moment Mrs. Hale had no answer. Then, "Well, I guess John Wright didn't wake up--when they was slippin' that rope under his neck," she muttered.

"No, it's strange," breathed Mrs. Peters. "They think it was such a--funny way to kill a man."

She began to laugh; at sound of the laugh, abruptly stopped.

"That's just what Mr. Hale said," said Mrs. Hale, in a resolutely natural voice. "There was a gun in the house. He says that's what he can't understand."

"Mr. Henderson said, coming out, that what was needed for the case was a motive. Something to show anger--or sudden feeling."

'Well, I don't see any signs of anger around here," said Mrs. Hale, "I don't--" She stopped. It was as if her mind tripped on something. Her eye was caught by a dish-towel in the middle of the kitchen table. Slowly she moved toward the table. One half of it was wiped clean, the other half messy. Her eyes made a slow, almost unwilling turn to the bucket of sugar and the half empty bag beside it. Things begun--and not finished.

After a moment she stepped back, and said, in that manner of releasing herself:

"Wonder how they're finding things upstairs? I hope she had it a little more red up up there. You know,"--she paused, and feeling gathered,--"it seems kind of sneaking: locking her up in town and coming out here to get her own house to turn against her!"

"But, Mrs. Hale," said the sheriff's wife, "the law is the law."

"I s'pose 'tis," answered Mrs. Hale shortly.

She turned to the stove, saying something about that fire not being much to brag of. She worked with it a minute, and when she straightened up she said aggressively:

"The law is the law--and a bad stove is a bad stove. How'd you like to cook on this?"--pointing with the poker to the broken lining. She opened the oven door and started to express her opinion of the oven; but she was swept into her own thoughts, thinking of what it would mean, year after year, to have that stove to wrestle with. The thought of Minnie Foster trying to bake in that oven--and the thought of her never going over to see Minnie Foster--.

She was startled by hearing Mrs. Peters say: "A person gets discouraged--and loses heart."

The sheriff's wife had looked from the stove to the sink--to the pail of water which had been carried in from outside. The two women stood there silent, above them the footsteps of the men who were looking for evidence against the woman who had worked in that kitchen. That look of seeing into things, of seeing through a thing to something else, was in the eyes of the sheriff's wife now. When Mrs. Hale next spoke to her, it was gently:

"Better loosen up your things, Mrs. Peters. We'll not feel them when we go out."

Mrs. Peters went to the back of the room to hang up the fur tippet she was wearing. A moment later she exclaimed, "Why, she was piecing a quilt," and held up a large sewing basket piled high with quilt pieces.

Mrs. Hale spread some of the blocks on the table.

"It's log-cabin pattern," she said, putting several of them together, "Pretty, isn't it?"

They were so engaged with the quilt that they did not hear the footsteps on the stairs. Just as the stair door opened Mrs. Hale was saying:

"Do you suppose she was going to quilt it or just knot it?"

The sheriff threw up his hands.

"They wonder whether she was going to quilt it or just knot it!"

There was a laugh for the ways of women, a warming of hands over the stove, and then the county attorney said briskly:

"Well, let's go right out to the barn and get that cleared up."

"I don't see as there's anything so strange," Mrs. Hale said resentfully, after the outside door had closed on the three men--"our taking up our time with little things while we're waiting for them to get the evidence. I don't see as it's anything to laugh about."

"Of course they've got awful important things on their minds," said the sheriff's wife apologetically.

They returned to an inspection of the block for the quilt. Mrs. Hale was looking at the fine, even sewing, and preoccupied with thoughts of the woman who had done that sewing, when she heard the sheriff's wife say, in a queer tone:

"Why, look at this one."

She turned to take the block held out to her.

"The sewing," said Mrs. Peters, in a troubled way, "All the rest of them have been so nice and even--but--this one. Why, it looks as if she didn't know what she was about!"

Their eyes met--something flashed to life, passed between them; then, as if with an effort, they seemed to pull away from each other. A moment Mrs. Hale sat there, her hands folded over that sewing which was so unlike all the rest of the sewing. Then she had pulled a knot and drawn the threads.

"Oh, what are you doing, Mrs. Hale?" asked the sheriff's wife, startled.

"Just pulling out a stitch or two that's not sewed very good," said Mrs. Hale mildly.

"I don't think we ought to touch things," Mrs. Peters said, a little helplessly.

"I'll just finish up this end," answered Mrs. Hale, still in that mild, matter-of-fact fashion.

She threaded a needle and started to replace bad sewing with good. For a little while she sewed in silence. Then, in that thin, timid voice, she heard:

"Mrs. Hale!"

"Yes, Mrs. Peters?"

'What do you suppose she was so--nervous about?"

"Oh, I don't know," said Mrs. Hale, as if dismissing a thing not important enough to spend much time on. "I don't know as she was--nervous. I sew awful queer sometimes when I'm just tired."

She cut a thread, and out of the corner of her eye looked up at Mrs. Peters. The small, lean face of the sheriff's wife seemed to have tightened up. Her eyes had that look of peering into something. But next moment she moved, and said in her thin, indecisive way:

'Well, I must get those clothes wrapped. They may be through sooner than we think. I wonder where I could find a piece of paper--and string."

"In that cupboard, maybe," suggested to Mrs. Hale, after a glance around.

One piece of the crazy sewing remained unripped. Mrs. Peter's back turned, Martha Hale now scrutinized that piece, compared it with the dainty, accurate sewing of the other blocks. The difference was startling. Holding this block made her feel queer, as if the distracted thoughts of the woman who had perhaps turned to it to try and quiet herself were communicating themselves to her.

Mrs. Peters' voice roused her.

"Here's a bird-cage," she said. "Did she have a bird, Mrs. Hale?"

'Why, I don't know whether she did or not." She turned to look at the cage Mrs. Peters was holding up. "I've not been here in so long." She sighed. "There was a man round last year selling canaries cheap--but I don't know as she took one. Maybe she did. She used to sing real pretty herself."

Mrs. Peters looked around the kitchen.

"Seems kind of funny to think of a bird here." She half laughed--an attempt to put up a barrier. "But she must have had one--or why would she have a cage? I wonder what happened to it."

"I suppose maybe the cat got it," suggested Mrs. Hale, resuming her sewing.

"No; she didn't have a cat. She's got that feeling some people have about cats--being afraid of them. When they brought her to our house yesterday, my cat got in the room, and she was real upset and asked me to take it out."

"My sister Bessie was like that," laughed Mrs. Hale.

The sheriff's wife did not reply. The silence made Mrs. Hale turn round. Mrs. Peters was examining the bird-cage.

"Look at this door," she said slowly. "It's broke. One hinge has been pulled apart."

Mrs. Hale came nearer.

"Looks as if someone must have been--rough with it."

Again their eyes met--startled, questioning, apprehensive. For a moment neither spoke nor stirred. Then Mrs. Hale, turning away, said brusquely:

"If they're going to find any evidence, I wish they'd be about it. I don't like this place."

"But I'm awful glad you came with me, Mrs. Hale." Mrs. Peters put the bird-cage on the table and sat down. "It would be lonesome for me--sitting here alone."

"Yes, it would, wouldn't it?" agreed Mrs. Hale, a certain determined naturalness in her voice. She had picked up the sewing, but now it dropped in her lap, and she murmured in a different voice: "But I tell you what I do wish, Mrs. Peters. I wish I had come over sometimes when she was here. I wish--I had."

"But of course you were awful busy, Mrs. Hale. Your house--and your children."

"I could've come," retorted Mrs. Hale shortly. "I stayed away because it weren't cheerful--and that's why I ought to have come. I"--she looked around--"I've never liked this place. Maybe because it's down in a hollow and you don't see the road. I don't know what it is, but it's a lonesome place, and always was. I wish I had come over to see Minnie Foster sometimes. I can see now--" She did not put it into words.

"Well, you mustn't reproach yourself," counseled Mrs. Peters. "Somehow, we just don't see how it is with other folks till--something comes up."

"Not having children makes less work," mused Mrs. Hale, after a silence, "but it makes a quiet house--and Wright out to work all day--and no company when he did come in. Did you know John Wright, Mrs. Peters?"

"Not to know him. I've seen him in town. They say he was a good man."

"Yes--good," conceded John Wright's neighbor grimly. "He didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him--." She stopped, shivered a little. "Like a raw wind that gets to the bone." Her eye fell upon the cage on the table before her, and she added, almost bitterly: "I should think she would've wanted a bird!"

Suddenly she leaned forward, looking intently at the cage. "But what do you s'pose went wrong with it?"

"I don't know," returned Mrs. Peters; "unless it got sick and died."

But after she said it she reached over and swung the broken door. Both women watched it as if somehow held by it.

"You didn't know--her?" Mrs. Hale asked, a gentler note in her voice.

"Not till they brought her yesterday," said the sheriff's wife.

"She--come to think of it, she was kind of like a bird herself. Real sweet and pretty, but kind of timid and--fluttery. How--she--did--change."

That held her for a long time. Finally, as if struck with a happy thought and relieved to get back to everyday things, she exclaimed:

"Tell you what, Mrs. Peters, why don't you take the quilt in with you? It might take up her mind."

"Why, I think that's a real nice idea, Mrs. Hale," agreed the sheriff's wife, as if she too were glad to come into the atmosphere of a simple kindness. "There couldn't possibly be any objection to that, could there? Now, just what will I take? I wonder if her patches are in here--and her things?"

They turned to the sewing basket.

"Here's some red," said Mrs. Hale, bringing out a roll of cloth. Underneath that was a box. "Here, maybe her scissors are in here--and her things." She held it up. "What a pretty box! I'll warrant that was something she had a long time ago--when she was a girl."

She held it in her hand a moment; then, with a little sigh, opened it.

Instantly her hand went to her nose.

"Why--!"

Mrs. Peters drew nearer--then turned away.

"There's something wrapped up in this piece of silk," faltered Mrs. Hale.

"This isn't her scissors," said Mrs. Peters, in a shrinking voice.

Her hand not steady, Mrs. Hale raised the piece of silk. "Oh, Mrs. Peters!" she cried. "It's--"

Mrs. Peters bent closer.

"It's the bird," she whispered.

"But, Mrs. Peters!" cried Mrs. Hale. "Look at it! Itsneck--look at its neck! It's all--other side to."

She held the box away from her.

The sheriff's wife again bent closer.

"Somebody wrung its neck," said she, in a voice that was slow and deep.

And then again the eyes of the two women met--this time clung together in a look of dawning comprehension, of growing horror. Mrs. Peters looked from the dead bird to the broken door of the cage. Again their eyes met. And just then there was a sound at the outside door. Mrs. Hale slipped the box under the quilt pieces in the basket, and sank into the chair before it. Mrs. Peters stood holding to the table. The county attorney and the sheriff came in from outside.

"Well, ladies," said the county attorney, as one turning from serious things to little pleasantries, "have you decided whether she was going to quilt it or knot it?"

"We think," began the sheriff's wife in a flurried voice, "that she was going to--knot it."

He was too preoccupied to notice the change that came in her voice on that last.

"Well, that's very interesting, I'm sure," he said tolerantly. He caught sight of the bird-cage.

"Has the bird flown?"

"We think the cat got it," said Mrs. Hale in a voice curiously even.

He was walking up and down, as if thinking something out.

"Is there a cat?" he asked absently.

Mrs. Hale shot a look up at the sheriff's wife.

"Well, not now," said Mrs. Peters. "They're superstitious, you know; they Ieave."

She sank into her chair.

The county attorney did not heed her. "No sign at all of anyone having come in from the outside," he said to Peters, in the manner of continuing an interrupted conversation. "Their own rope. Now let's go upstairs again and go over it, picee by piece. It would have to have been someone who knew just the--"

The stair door closed behind them and their voices were lost.

The two women sat motionless, not looking at each other, but as if peering into something and at the same time holding back. When they spoke now it was as if they were afraid of what they were saying, but as if they could not help saying it.

"She liked the bird," said Martha Hale, low and slowly. "She was going to bury it in that pretty box."

When I was a girl," said Mrs. Peters, under her breath, "my kitten--there was a boy took a hatchet, and before my eyes--before I could get there--" She covered her face an instant. "If they hadn't held me back I would have"--she caught herself, looked upstairs where footsteps were heard, and finished weakly--"hurt him."

Then they sat without speaking or moving.

"I wonder how it would seem," Mrs. Hale at last began, as if feeling her way over strange ground--"never to have had any children around?" Her eyes made a slow sweep of the kitchen, as if seeing what that kitchen had meant through all the years "No, Wright wouldn't like the bird," she said after that--"a thing that sang. She used to sing. He killed that too." Her voice tightened.

Mrs. Peters moved uneasily.

"Of course we don't know who killed the bird."

"I knew John Wright," was Mrs. Hale's answer.

"It was an awful thing was done in this house that night, Mrs. Hale," said the sheriff's wife. "Killing a man while he slept--slipping a thing round his neck that choked the life out of him."

Mrs. Hale's hand went out to the bird cage.

"We don't know who killed him," whispered Mrs. Peters wildly. "We don't know."

Mrs. Hale had not moved. "If there had been years and years of--nothing, then a bird to sing to you, it would be awful--still--after the bird was still."

It was as if something within her not herself had spoken, and it found in Mrs. Peters something she did not know as herself.

"I know what stillness is," she said, in a queer, monotonous voice. "When we homesteaded in Dakota, and my first baby died--after he was two years old--and me with no other then--"

Mrs. Hale stirred.

"How soon do you suppose they'll be through looking for the evidence?"

"I know what stillness is," repeated Mrs. Peters, in just that same way. Then she too pulled back. "The law has got to punish crime, Mrs. Hale," she said in her tight little way.

"I wish you'd seen Minnie Foster," was the answer, "when she wore a white dress with blue ribbons, and stood up there in the choir and sang."

The picture of that girl, the fact that she had lived neighbor to that girl for twenty years, and had let her die for lack of life, was suddenly more than she could bear.

"Oh, I wish I'd come over here once in a while!" she cried. "That was a crime! Who's going to punish that?"

"We mustn't take on," said Mrs. Peters, with a frightened look toward the stairs.

"I might 'a' known she needed help! I tell you, it'squeer, Mrs. Peters. We live close together, and we live far apart. We all go through the same things--it's all just a different kind of the same thing! If it weren't--why do you and I understand? Why do weknow--what we know this minute?"

She dashed her hand across her eyes. Then, seeing the jar of fruit on the table she reached for it and choked out:

"If I was you I wouldn't tell her her fruit was gone! Tell her it ain't. Tell her it's all right--all of it. Here--take this in to prove it to her! She--she may never know whether it was broke or not."

She turned away.

Mrs. Peters reached out for the bottle of fruit as if she were glad to take it--as if touching a familiar thing, having something to do, could keep her from something else. She got up, looked about for something to wrap the fruit in, took a petticoat from the pile of clothes she had brought from the front room, and nervously started winding that round the bottle.

"My!" she began, in a high, false voice, "it's a good thing the men couldn't hear us! Getting all stirred up over a little thing like a--dead canary." She hurried over that. "As if that could have anything to do with--with--My, wouldn't they laugh?"

Footsteps were heard on the stairs.

"Maybe they would," muttered Mrs. Hale--"maybe they wouldn't."

"No, Peters," said the county attorney incisively; "it's all perfectly clear, except the reason for doing it. But you know juries when it comes to women. If there was some definite thing--something to show. Something to make a story about. A thing that would connect up with this clumsy way of doing it."

In a covert way Mrs. Hale looked at Mrs. Peters. Mrs. Peters was looking at her. Quickly they looked away from each other. The outer door opened and Mr. Hale came in.

"I've got the team round now," he said. "Pretty cold out there."

"I'm going to stay here awhile by myself," the county attorney suddenly announced. "You can send Frank out for me, can't you?" he asked the sheriff. "I want to go over everything. I'm not satisfied we can't do better."

Again, for one brief moment, the two women's eyes found one another.

The sheriff came up to the table.

"Did you want to see what Mrs. Peters was going to take in?"

The county attorney picked up the apron. He laughed.

"Oh, I guess they're not very dangerous things the ladies have picked out."

Mrs. Hale's hand was on the sewing basket in which the box was concealed. She felt that she ought to take her hand off the basket. She did not seem able to. He picked up one of the quilt blocks which she had piled on to cover the box. Her eyes felt like fire. She had a feeling that if he took up the basket she would snatch it from him.

But he did not take it up. With another little laugh, he turned away, saying:

"No; Mrs. Peters doesn't need supervising. For that matter, a sheriff's wife is married to the law. Ever think of it that way, Mrs. Peters?"

Mrs. Peters was standing beside the table. Mrs. Hale shot a look up at her; but she could not see her face. Mrs. Peters had turned away. When she spoke, her voice was muffled.

"Not--just that way," she said.

"Married to the law!" chuckled Mrs. Peters' husband. He moved toward the door into the front room, and said to the county attorney:

"I just want you to come in here a minute, George. We ought to take a look at these windows."

"Oh--windows," said the county attorney scoffingly.

"We'll be right out, Mr. Hale," said the sheriff to the farmer, who was still waiting by the door.

Hale went to look after the horses. The sheriff followed the county attorney into the other room. Again--for one final moment--the two women were alone in that kitchen.

Martha Hale sprang up, her hands tight together, looking at that other woman, with whom it rested. At first she could not see her eyes, for the sheriff's wife had not turned back since she turned away at that suggestion of being married to the law. But now Mrs. Hale made her turn back. Her eyes made her turn back. Slowly, unwillingly, Mrs. Peters turned her head until her eyes met the eyes of the other woman. There was a moment when they held each other in a steady, burning look in which there was no evasion or flinching. Then Martha Hale's eyes pointed the way to the basket in which was hidden the thing that would make certain the conviction of the other woman--that woman who was not there and yet who had been there with them all through that hour.

For a moment Mrs. Peters did not move. And then she did it. With a rush forward, she threw back the quilt pieces, got the box, tried to put it in her handbag. It was too big. Desperately she opened it, started to take the bird out. But there she broke--she could not touch the bird. She stood there helpless, foolish.

There was the sound of a knob turning in the inner door. Martha Hale snatched the box from the sheriff's wife, and got it in the pocket of her big coat just as the sheriff and the county attorney came back into the kitchen.

"Well, Henry," said the county attorney facetiously, "at least we found out that she was not going to quilt it. She was going to--what is it you call it, ladies?"

Mrs. Hale's hand was against the pocket of her coat.

"We call it--knot it, Mr. Henderson."

Mosques of the Red Death

Mosques of the Red Death

By: Edgar Allan Poe

(1842)

The "Red Death" had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal --the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.

But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the "Red Death."

It was toward the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.

It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven --an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different; as might have been expected from the duke's love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue --and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange --the fifth with white --the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet --a deep blood color. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire that protected its rays through the tinted glass and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for colors and effects. He disregarded the decora of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure that he was not.

He had directed, in great part, the moveable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm --much of what has been since seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these --the dreams --writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away --they have endured but an instant --and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise --then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince's indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in blood --and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image (which with a slow and solemn movement, as if more fully to sustain its role, stalked to and fro among the waltzers) he was seen to be convulsed, in the first moment with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.

"Who dares?" he demanded hoarsely of the courtiers who stood near him --"who dares insult us with this blasphemous mockery? Seize him and unmask him --that we may know whom we have to hang at sunrise, from the battlements!"

It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly --for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and, while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple --through the purple to the green --through the green to the orange --through this again to the white --and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry --and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave-cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

THE END
.

Si Pagong at si Matsing

Si Pagong at Si Matsing

Isang araw, nagbibilad sa araw si Pagong nang biglang may natanaw siyang lumulutang sa ilog.

“Aba! Puno ng saging!”

Tumalon siya sa ilog at lumangoy hanggang maabot niya ang puno ng saging. Sinubukan niya itong hilahin patungo sa pampang.

Ngunit kahit anong gawin niya, hindi niya ito mahila palabas ng tubig.

Umahon si Pagong para hanapin si Matsing.

“Matsing, may nakita akong puno ng saging sa ilog. Tulungan mo naman akong dalhin ito sa aking hardin para maitanim ko.”

“Kung tutulungan kita, dapat kahati ako sa puno,” sabi ni Matsing na talagang mahilig sa saging.

“O, sige,” sagot ni Pagong.

Kaya nagtulungan ang dalawa na dalhin ang puno sa hardin ni Pagong.

“Ngayon, kailangan nating maghukay sa lupa,” sabi ni Pagong.

“Ano? Hindi ba nagkasundo tayo na hahatiin natin ang puno?”

“Oo, pero kailangan muna nating itanim ang puno. Para tumubo ito at mamunga. Tapos, paghahatian natin ang mga saging.”

“Hindi ganyan ang paghati,” sabi ni Matsing. “Dapat ngayon mismo natin hatiin ang puno.”

“Pero… hindi mabuti ang ganyang paghahati,” sagot ni Pagong.

“Wala akong pakialam!” sigaw ni Matsing. “Gusto ang hati ko ngayon din!”

Tahimik na pinutol ni Pagong ang puno. Tiningnan ni Matsing ang dalawang hati. Ang itaas na bahagi ng puno ay mayabong sa mga luntiang dahon. Iyon ang piniling kalahati ni Matsing. “Itong itaas na parte ang akin!”

Dali-daling idinala iyon ni Matsing sa kanyang sariling hardin para itanim.

Tiningnan ni Pagong ang bahagi ng puno na natira sa kanya. Naghuhukay siya sa lupa at itinanim niya ito. Kumuha siya ng tubig sa ilog at diniligan niya ang lupa kung saan nakatanim ang puno.

Sa ilalim ng mainit na araw, ang walang-ugat na puno ni Matsing ay nalanta at namatay.

Samantala, ang puno ni Pagong ay lumaki nang matayog at sa madaling panahon ay nagkaroon din ng mga dahon. Di nagatagal, namunga na rin ito ng mga saging.

Nang hinog na ang mga saging, gusto nang mamitas ng ilan si Pagong, ngunit hindi siya makaakyat ng puno.

Muli siyang pumunta kay Matsing. Sabi ni Pagong, “Kung puwede sana, akyatin mo ang puno at mamitas ka ng saging. Maghulog ka ng ilan sa akin. Siyempre puwede ka ring kumain ng ilan.”

Madaling naakyat ni Matsing ang puno. Nang maabot niya ang mga saging, nagsimula na siyang kainin ang mga ito.

Naghintay si Pagong, ngunit walang inihulog na saging si Matsing.

“Bigyan mo naman ako ng ilan,” sabi ni Pagong.

“Ayoko ko nga,” sagot ni Matsing. “Dinaya mo ako noon nang ibinigay mo sa akin iyong parte ng puno na hindi namumunga. Ngayon, kakainin ko itong lahat!”

“Bigyan mo ako ng kahit ilan,” dulog ni Pagong.

Tinapon ni Matsing kay Pagong ang mga balat ng nakain na niyang saging. “O, ayan!”

Dito nagalit si Pagong. Kumuha siya ng mga tinik at ipinalibot niya ito sa paanan ng puno. Tapos, nagtago siya sa damuhan.

Si Matsing naman, makatapos kainin ang lahat ng mga saging, ay tumalon pababa mula sa puno.

“Aray! Aray!” sigaw niya dahil natapakan niya ang mga tinik.

Napatawa si Pagong nang nakita niya ito.

Narinig ni Matsing ang tawa ni Pagong at sinugod niya ito sa pinagtataguang lugar. Binaligtad ni Matsing si Pagong.

Kaawa-awang Pagong… Hindi siya makabangon sa pagkatihaya.

“Paparusahan kita!” sabi ni Matsing. “Paano kay? Itapon kaya kita sa isang malalim na hukay? O itali kaya kita sa isang puno? O dalhin kaya kita sa tuktok ng isang bundok at iiwan ka doon?

Mabilis na nag-isip si Pagong. “Wala sa akin kung iiwan mo ako sa tuktok ng bundok o itali ako sa puno… o kahit itapon mo ako sa malalim na hukay. Huwag mo lang akong itapon sa tubig!”

Humalakhak si Matsing. “Ayaw mo sa tubig? Ngayon alam ko na kung paano kita parurusahan!”

Binuhat ni Matsing si Pagong at dinala sa ilog. Itinapon niya ito sa gitna ng ilog kung saan malalim ang tubig.

Lumubog si Pagong.

Napasayaw si Matsing sa tuwa. Sigurado siyang hindi na niya makikita si Pagong kahit kailanman.

Ngunit… biglang lumitaw ang ulo ni Pagong mula sa tubig. “Salamat, kaibigang Matsing,” sabi ni Pagong. “Nakalimutan mo bang marunong akong lumangoy?”

Ganoon katanga si Matsing.

How my brother leon brought a wife

How my brother leon brought a wife

(American Colonial Literature)
By Manuel E. Arguilla

She stepped down from the carretela of Ca Celin with a quick, delicate grace. She was lovely. SHe was tall. She looked up to my brother with a smile, and her forehead was on a level with his mouth.

"You are Baldo," she said and placed her hand lightly on my shoulder. Her nails were long, but they were not painted. She was fragrant like a morning when papayas are in bloom. And a small dimple appeared momently high on her right cheek.  "And this is Labang of whom I have heard so much." She held the wrist of one hand with the other and looked at Labang, and Labang never stopped chewing his cud. He swallowed and brought up to his mouth more cud and the sound of his insides was like a drum.

I laid a hand on Labang's massive neck and said to her: "You may scratch his forehead now."

She hesitated and I saw that her eyes were on the long, curving horns. But she came and touched Labang's forehead with her long fingers, and Labang never stopped chewing his cud except that his big eyes half closed. And by and by she was scratching his forehead very daintily.

My brother Leon put down the two trunks on the grassy side of the road. He paid Ca Celin twice the usual fare from the station to the edge of Nagrebcan. Then he was standing beside us, and she turned to him eagerly. I watched Ca Celin, where he stood in front of his horse, and he ran his fingers through its forelock and could not keep his eyes away from her.

"Maria---" my brother Leon said.

He did not say Maring. He did not say Mayang. I knew then that he had always called her Maria and that to us all she would be Maria; and in my mind I said 'Maria' and it was a beautiful name.

"Yes, Noel."

Now where did she get that name? I pondered the matter quietly to myself, thinking Father might not like it. But it was only the name of my brother Leon said backward and it sounded much better that way.

"There is Nagrebcan, Maria," my brother Leon said, gesturing widely toward the west.

She moved close to him and slipped her arm through his. And after a while she said quietly.

"You love Nagrebcan, don't you, Noel?"

Ca Celin drove away hi-yi-ing to his horse loudly. At the bend of the camino real where the big duhat tree grew, he rattled the handle of his braided rattan whip against the spokes of the wheel.

We stood alone on the roadside.

The sun was in our eyes, for it was dipping into the bright sea. The sky was wide and deep and very blue above us: but along the saw-tooth rim of the Katayaghan hills to the southwest flamed huge masses of clouds. Before us the fields swam in a golden haze through which floated big purple and red and yellow bubbles when I looked at the sinking sun. Labang's white coat, which I had wshed and brushed that morning with coconut husk, glistened like beaten cotton under the lamplight and his horns appeared tipped with fire.

He faced the sun and from his mouth came a call so loud and vibrant that the earth seemed to tremble underfoot. And far away in the middle of the field a cow lowed softly in answer.

"Hitch him to the cart, Baldo," my brother Leon said, laughing, and she laughed with him a big uncertainly, and I saw that he had put his arm around her shoulders.

"Why does he make that sound?" she asked. "I have never heard the like of it."

"There is not another like it," my brother Leon said. "I have yet to hear another bull call like Labang. In all the world there is no other bull like him."

She was smiling at him, and I stopped in the act of tying the sinta across Labang's neck to the opposite end of the yoke, because her teeth were very white, her eyes were so full of laughter, and there was the small dimple high up on her right cheek.

"If you continue to talk about him like that, either I shall fall in love with him or become greatly jealous."

My brother Leon laughed and she laughed and they looked at each other and it seemed to me there was a world of laughter between them and in them.

I climbed into the cart over the wheel and Labang would have bolted, for he was always like that, but I kept a firm hold on his rope. He was restless and would not stand still, so that my brother Leon had to say "Labang" several times. When he was quiet again, my brother Leon lifted the trunks into the cart, placing the smaller on top.

She looked down once at her high-heeled shoes, then she gave her left hand to my brother Leon, placed a foot on the hub of the wheel, and in one breath she had swung up into the cart. Oh, the fragrance of her. But Labang was fairly dancing with impatience and it was all I could do to keep him from running away.

"Give me the rope, Baldo," my brother Leon said. "Maria, sit down on the hay and hold on to anything." Then he put a foot on the left shaft and that instand labang leaped forward. My brother Leon laughed as he drew himself up to the top of the side of the cart and made the slack of the rope hiss above the back of labang. The wind whistled against my cheeks and the rattling of the wheels on the pebbly road echoed in my ears.

She sat up straight on the bottom of the cart, legs bent togther to one side, her skirts spread over them so that only the toes and heels of her shoes were visible. her eyes were on my brother Leon's back; I saw the wind on her hair. When Labang slowed down, my brother Leon handed to me the rope. I knelt on the straw inside the cart and pulled on the rope until Labang was merely shuffling along, then I made him turn around.

"What is it you have forgotten now, Baldo?" my brother Leon said.

I did not say anything but tickled with my fingers the rump of Labang; and away we went---back to where I had unhitched and waited for them. The sun had sunk and down from the wooded sides of the Katayaghan hills shadows were stealing into the fields. High up overhead the sky burned with many slow fires.

When I sent Labang down the deep cut that would take us to the dry bed of the Waig which could be used as a path to our place during the dry season, my brother Leon laid a hand on my shoulder and said sternly:

"Who told you to drive through the fields tonight?"

His hand was heavy on my shoulder, but I did not look at him or utter a word until we were on the rocky bottom of the Waig.

"Baldo, you fool, answer me before I lay the rope of Labang on you. Why do you follow the Wait instead of the camino real?"

His fingers bit into my shoulder.

"Father, he told me to follow the Waig tonight, Manong."

Swiftly, his hand fell away from my shoulder and he reached for the rope of Labang. Then my brother Leon laughed, and he sat back, and laughing still, he said:

"And I suppose Father also told you to hitch Labang to the cart and meet us with him instead of with Castano and the calesa."

Without waiting for me to answer, he turned to her and said, "Maria, why do you think Father should do that, now?" He laughed and added, "Have you ever seen so many stars before?"

I looked back and they were sitting side by side, leaning against the trunks, hands clasped across knees. Seemingly, but a man's height above the tops of the steep banks of the Wait, hung the stars. But in the deep gorge the shadows had fallen heavily, and even the white of Labang's coat was merely a dim, grayish blur. Crickets chirped from their homes in the cracks in the banks. The thick, unpleasant smell of dangla bushes and cooling sun-heated earth mingled with the clean, sharp scent of arrais roots exposed to the night air and of the hay inside the cart.

"Look, Noel, yonder is our star!" Deep surprise and gladness were in her voice. Very low in the west, almost touching the ragged edge of the bank, was the star, the biggest and brightest in the sky.

"I have been looking at it," my brother Leon said. "Do you remember how I would tell you that when you want to see stars you must come to Nagrebcan?"

"Yes, Noel," she said. "Look at it," she murmured, half to herself. "It is so many times bigger and brighter than it was at Ermita beach."

"The air here is clean, free of dust and smoke."

"So it is, Noel," she said, drawing a long breath.

"Making fun of me, Maria?"

She laughed then and they laughed together and she took my brother Leon's hand and put it against her face.

I stopped Labang, climbed down, and lighted the lantern that hung from the cart between the wheels.

"Good boy, Baldo," my brother Leon said as I climbed back into the cart, and my heart sant.

Now the shadows took fright and did not crowd so near. Clumps of andadasi and arrais flashed into view and quickly disappeared as we passed by. Ahead, the elongated shadow of Labang bobbled up and down and swayed drunkenly from side to side, for the lantern rocked jerkily with the cart.

"Have we far to go yet, Noel?" she asked.

"Ask Baldo," my brother Leon said, "we have been neglecting him."

"I am asking you, Baldo," she said.

Without looking back, I answered, picking my words slowly:

"Soon we will get out of the Wait and pass into the fields. After the fields is home---Manong."

"So near already."

I did not say anything more because I did not know what to make of the tone of her voice as she said her last words. All the laughter seemed to have gone out of her. I waited for my brother Leon to say something, but he was not saying anything. Suddenly he broke out into song and the song was 'Sky Sown with Stars'---the same that he and Father sang when we cut hay in the fields at night before he went away to study. He must have taught her the song because she joined him, and her voice flowed into his like a gentle stream meeting a stronger one. And each time the wheels encountered a big rock, her voice would catch in her throat, but my brother Leon would sing on, until, laughing softly, she would join him again.

Then we were climbing out into the fields, and through the spokes of the wheels the light of the lantern mocked the shadows. Labang quickened his steps. The jolting became more frequent and painful as we crossed the low dikes.

"But it is so very wide here," she said. The light of the stars broke and scattered the darkness so that one could see far on every side, though indistinctly.

"You miss the houses, and the cars, and the people and the noise, don't you?" My brother Leon stopped singing.

"Yes, but in a different way. I am glad they are not here."

With difficulty I turned Labang to the left, for he wanted to go straight on. He was breathing hard, but I knew he was more thirsty than tired. In a little while we drope up the grassy side onto the camino real.

"---you see," my brother Leon was explaining, "the camino real curves around the foot of the Katayaghan hills and passes by our house. We drove through the fields because---but I'll be asking Father as soon as we get home."

"Noel," she said.

"Yes, Maria."

"I am afraid. He may not like me."

"Does that worry you still, Maria?" my brother Leon said. "From the way you talk, he might be an ogre, for all the world. Except when his leg that was wounded in the Revolution is troubling him, Father is the mildest-tempered, gentlest man I know."

We came to the house of Lacay Julian and I spoke to Labang loudly, but Moning did not come to the window, so I surmised she must be eating with the rest of her family. And I thought of the food being made ready at home and my mouth watered. We met the twins, Urong and Celin, and I said "Hoy!" calling them by name. And they shouted back and asked if my brother Leon and his wife were with me. And my brother Leon shouted to them and then told me to make Labang run; their answers were lost in the noise of the wheels.

I stopped labang on the road before our house and would have gotten down but my brother Leon took the rope and told me to stay in the cart. He turned Labang into the open gate and we dashed into our yard. I thought we would crash into the camachile tree, but my brother Leon reined in Labang in time. There was light downstairs in the kitchen, and Mother stood in the doorway, and I could see her smiling shyly. My brother Leon was helping Maria over the wheel. The first words that fell from his lips after he had kissed Mother's hand were:

"Father... where is he?"

"He is in his room upstairs," Mother said, her face becoming serious. "His leg is bothering him again."

I did not hear anything more because I had to go back to the cart to unhitch Labang. But I hardly tied him under the barn when I heard Father calling me. I met my brother Leon going to bring up the trunks. As I passed through the kitchen, there were Mother and my sister Aurelia and Maria and it seemed to me they were crying, all of them.

There was no light in Father's room. There was no movement. He sat in the big armchair by the western window, and a star shone directly through it. He was smoking, but he removed the roll of tobacco from his mouth when he saw me. He laid it carefully on the windowsill before speaking.

"Did you meet anybody on the way?" he asked.

"No, Father," I said. "Nobody passes through the Waig at night."

He reached for his roll of tobacco and hithced himself up in the chair.

"She is very beautiful, Father."

"Was she afraid of Labang?" My father had not raised his voice, but the room seemed to resound with it. And again I saw her eyes on the long curving horns and the arm of my brother Leon around her shoulders.

"No, Father, she was not afraid."

"On the way---"

"She looked at the stars, Father. And Manong Leon sang."

"What did he sing?"

"---Sky Sown with Stars... She sang with him."

He was silent again. I could hear the low voices of Mother and my sister Aurelia downstairs. There was also the voice of my brother Leon, and I thought that Father's voice must have been like it when Father was young. He had laid the roll of tobacco on the windowsill once more. I watched the smoke waver faintly upward from the lighted end and vanish slowly into the night outside.

The door opened and my brother Leon and Maria came in.

"Have you watered Labang?" Father spoke to me.

I told him that Labang was resting yet under the barn.

"It is time you watered him, my son," my father said.

I looked at Maria and she was lovely. She was tall. Beside my brother Leon, she was tall and very still. Then I went out, and in the darkened hall the fragrance of her was like a morning when papayas are in bloom.


Thursday, September 28, 2017

Pinocchio

Pinocchio

By: Carlo Collodi

Once upon a time. A carpenter, picked up a strange lump of wood one day while mending a table. When he began to chip it, the wood started to moan. This frightened the carpenter and he decided to get rid of it at once, so he gave it to a friend called Geppetto, who wanted to make a puppet. Geppetto, a cobbler, took his lump of wood home, thinking about the name he would give his puppet.

"I'll call him Pinocchio," he told himself. "It's a lucky name." Back in his humble basement home and workshop, Geppetto started to carve the wood. Suddenly a voice squealed:

"Ooh! That hurt!" Geppeto was astonished to find that the wood was alive. Excitedly he carved a head, hair and eyes, which immediately stared right at the cobbler. But the second Geppetto carved out the nose, it grew longer and longer, and no matter how often the cobbler cut it down to size, it just stayed a long nose. The newly cut mouth began to chuckle and when Geppetto angrily complained, the puppet stuck out his tongue at him. That was nothing, however! When the cobbler shaped the hands, they snatched the good man's wig, and the newly carved legs gave him a hearty kick. His eyes brimming with tears, Geppetto scolded the puppet.

"You naughty boy! I haven't even finished making you, yet you've no respect for your father!" Then he picked up the puppet and, a step at a time, taught him to walk. But the minute Pinocchio stood upright, he started to run about the room, with Geppetto after him, then he opened the door and dashed into the street. Now, Pinocchio ran faster than Geppetto and though the poor cobbler shouted "Stop him! Stop him!" none of the onlookers, watching in amusement, moved a finger. Luckily, a policeman heard the cobbler's shouts and strode quickly down the street. Grabbing the runaway, he handed him over to his father.

"I'll box your ears," gasped Geppetto, still out of breath. Then he realised that was impossible, for in his haste to carve the puppet, he had forgotten to make his ears. Pinocchio had got a fright at being in the clutches of the police, so he apologised and Geppetto forgave his son.

Indeed, the minute they reached home, the cobbler made Pinocchio a suit out of flowered paper, a pair of bark shoes and a soft bread hat. The puppet hugged his father.

"I'd like to go to school," he said, "to become clever and help you when you're old!" Geppetto was touched by this kind thought.

"I'm very grateful," he replied, "but we haven't enough money even to buy you the first reading book!" Pinocchio looked downcast, then Geppetto suddenly rose to his feet, put on his old tweed coat and went out of the house. Not long after he returned carrying a first reader, but minus his coat. It was snowing outside.

"Where's your coat, father?"

"I sold it."

"Why did you sell it?"

"It kept me too warm!"

Pinocchio threw his arms round Geppetto's neck and kissed the kindly old man.

It had stopped snowing and Pinocchio set out for school with his first reading book under his arm. He was full of good intentions. "Today I want to learn to read. Tomorrow I'll learn to write and the day after to count. Then I'll earn some money and buy Geppetto a fine new coat. He deserves it, for . . ." The sudden sound of a brass band broke into the puppet's daydream and he soon forgot all about school. He ended up in a crowded square where people were clustering round a brightly coloured booth.

"What's that?" he asked a boy.

"Can't you read? It's the Great Puppet Show!"

"How much do you pay to go inside?"

"Fourpence.'

"Who'll give me fourpence for this brand new book?" Pinocchio cried. A nearby junk seller bought the reading book and Pinocchio hurried into the booth. Poor Geppetto. His sacrifice had been quite in vain. Hardly had Pinocchio got inside, when he was seen by one of the puppets on the stage who cried out:

"There's Pinocchio! There's Pinocchio!"

"Come, along. Come up here with us. Hurrah for brother Pinocchio!" cried the puppets. Pinocchio weent onstage with his new friends, while the spectators below began to mutter about uproar. Then out strode Giovanni, the puppet-master, a frightful looking man with fierce bloodshot eyes.

"What's going on here? Stop that noise! Get in line, or you'll hear about it later!"

That evening, Giovanni sat down to his meal, but when he found that more wood was needed to finish cooking his nice chunk of meat, he remembered the intruder who had upset his show.

"Come here, Pinocchio! You'll make good firewood!" The poor puppet started to weep and plead.

"Save me, father! I don't want to die . . . I don't want to die!" When Giovanni heard Pinocchio's cries, he was surprised.

"Are your parents still alive?" he asked.

"My father is, but I've never known my mother," said the puppet in a low voice. The big man's heart melted.

"It would be beastly for your father if I did throw you into the fire . . . but I must finish roasting the mutton. I'll just have to burn another puppet. Men! Bring me Harlequin, trussed!" When Pinocchio saw that another puppet was going to be burned in his place, he wept harder than ever.

"Please don't, sir! Oh, sir, please don't! Don't burn Harlequin!"

"That's enough!" boomed Giovanni in a rage. "I want my meat well cooked!"

"In that case," cried Pinocchio defiantly, rising to his feet, "burn me! It's not right that Harlequin should be burnt instead of me!"

Giovanni was taken aback. "Well, well!" he said. "I've never met a puppet hero before!" Then he went on in a milder tone. "You really are a good lad. I might indeed . . ." Hope flooded Pinocchio's heart as the puppet-master stared at him, then at last the man said: "All right! I'll eat half-raw mutton tonight, but next time, somebody will find himself in a pickle." All the puppets were delighted at being saved. Giovanni asked Pinocchio to tell him the whole tale, and feeling sorry for kindhearted Geppetto, he gave the puppet five gold pieces.

"Take these to your father," he said. "Tell him to buy himself a new coat, and give him my regards."

Pinocchio cheerfully left the puppet booth after thanking Giovanni for being so generous. He was hurrying homewards when he met a half-blind cat and a lame fox. He couldn't help but tell them all about his good fortune, and when the pair set eyes on the gold coins, they hatched a plot, saying to Pinocchio:

"If you would really like to please your father, you ought to take him a lot more coins. Now, we know of a magic meadow where you can sow these five coins. The next day, you will find they have become ten times as many!"

"How can that happen?" asked Pinocchio in amazement.

"I'll tell you how!" exclaimed the fox. "In the land of Owls lies a meadow known as Miracle Meadow. If you plant one gold coin in a little hole, next day you will find a whole tree dripping with gold coins!" Pinocchio drank in every word his two "friends" uttered and off they all went to the Red Shrimp Inn to drink to their meeting and future wealth.

After food and a short rest, they made plans to leave at midnight for Miracle Meadow. However, when Pinocchio was wakened by the innkeeper at the time arranged, he found that the fox and the cat had already left. All the puppet could do then was pay for the dinner, using one of his gold coins, and set off alone along the path through the woods to the magic meadow. Suddenly... "Your money or your life!" snarled two hooded bandits. Now, Pinocchio had hidden the coins under his tongue, so he could not say a word, and nothing the bandits could do would make Pinocchio tell where the coins were hidden. Still mute, even when the wicked pair tied a noose round the poor puppet's neck and pulled it tighter and tighter, Pinocchio's last thought was "Father, help me!"

Of course, the hooded bandits were the fox and the cat. "You'll hang there," they said, "till you decide to talk. We'll be back soon to see if you have changed your mind!" And away they went.

However, a fairy who lived nearby had overheard everything . . . From the castle window, the Turquoise Fairy saw a kicking puppet dangling from an oak tree in the wood. Taking pity on him, she clapped her hands three times and suddenly a hawk and a dog appeared.

"Quickly!" said the fairy to the hawk. "Fly to that oak tree and with your beak snip away the rope round the poor lad's neck!"

To the dog she said: "Fetch the carriage and gently bring him to me!"

In no time at all, Pinocchio, looking quite dead, was lying in a cosy bed in the castle, while the fairy called three famous doctors, crow, owl and cricket. A very bitter medicine, prescribed by these three doctors quickly cured the puppet, then as she caressed him, the fairy said: "Tell me what happened!"

Pinocchio told her his story, leaving out the bit about selling his first reading book, but when the fairy asked him where the gold coins were, the puppet replied that he had lost them. In fact, they were hidden in one of his pockets. All at once, Pinocchio's nose began to stretch, while the fairy laughed.

"You've just told a lie! I know you have, because your nose is growing longer!" Blushing with shame, Pinocchio had no idea what to do with such an ungainly nose and he began to weep. However, again feeling sorry for him, the fairy clapped her hands and a flock of woodpeckers appeared to peck his nose back to its proper length.

"Now, don't tell any more lies," the fairy warned him," or your nose will grow again! Go home and take these coins to your father."

Pinocchio gratefully hugged the fairy and ran off homewards. But near the oak tree in the forest, he bumped into the cat and the fox. Breaking his promise, he foolishly let himself be talked into burying the coins in the magic meadow. Full of hope, he returned next day, but the coins had gone. Pinocchio sadly trudged home without the coins Giovanni had given him for his father.

After scolding the puppet for his long absence, Geppetto forgave him and off he went to school. Pinocchio seemed to have calmed down a bit. But someone else was about to cross his path and lead him astray. This time, it was Carlo, the lazy bones of the class.

"Why don't you come to Toyland with me?" he said. "Nobody ever studies there and you can play all day long!"

"Does such a place really exist?" asked Pinocchio in amazement.

"The wagon comes by this evening to take me there," said Carlo. "Would you like to come?"

Forgetting all his promises to his father and the fairy, Pinocchio was again heading for trouble. Midnight struck, and the wagon arrived to pick up the two friends, along with some other lads who could hardly wait to reach a place where schoolbooks and teachers had never been heard of. Twelve pairs of donkeys pulled the wagon, and they were all shod with white leather boots. The boys clambered into the wagon. Pinocchio, the most excited of them all, jumped on to a donkey. Toyland, here we come!

Now Toyland was just as Carlo had described it: the boys all had great fun and there were no lessons. You weren't even allowed to whisper the word "school", and Pinocchio could hardly believe he was able to play all the time.

"This is the life!" he said each time he met Carlo.

"I was right, wasn't I?" exclaimed his friend, pleased with himself.

"Oh, yes Carlo! Thanks to you I'm enjoying myself. And just think: teacher told me to keep well away from you."

One day, however, Pinocchio awoke to a nasty surprise. When he raised a hand to his head, he found he had sprouted a long pair of hairy ears, in place of the sketchy ears that Geppetto had never got round to finishing. And that wasn't all! The next day, they had grown longer than ever. Pinocchio shamefully pulled on a large cotton cap and went off to search for Carlo. He too was wearing a hat, pulled right down to his nose. With the same thought in their heads, the boys stared at each other, then snatching off their hats, they began to laugh at the funny sight of long hairy ears. But as they screamed with laughter, Carlo suddenly went pale and began to stagger. "Pinocchio, help! Help!" But Pinocchio himself was stumbling about and he burst into tears. For their faces were growing into the shape of a donkey's head and they felt themselves go down on all foursf. Pinocchio and Carlo were turning into a pair of donkeys. And when they tried to groan with fear, they brayed loudly instead. When the Toyland wagon driver heard the braying of his new donkeys, he rubbed his hands in glee.

"There are two fine new donkeys to take to market. I'll get at least four gold pieces for them!" For such was the awful fate that awaited naughty little boys that played truant from school to spend all their time playing games.

Carlo was sold to a farmer, and a circus man bought Pinocchio to teach him to do tricks like his other performing animals. It was a hard life for a donkey! Nothing to eat but hay, and when that was gone, nothing but straw. And the beatings! Pinocchio was beaten every day till he had mastered the difficult circus tricks. One day, as he was jumping through the hoop, he stumbled and went lame. The circus man called the stable boy.

"A lame donkey is no use to me," he said. "Take it to market and get rid of it at any price!" But nobody wanted to buy a useless donkey. Then along came a little man who said: "I'll take it for the skin. It will make a good drum for the village band!"

And so, for a few pennies, Pinocchio changed hands and he brayed sorrowfully when he heard what his awful fate was to be. The puppet's new owner led him to the edge of the sea, tied a large stone to his neck, and a long rope round Pinocchio's legs and pushed hlm into the water. Clutching the end of the rope, the man sat down to wait for Pinocchio to drown. Then he would flay off the donkey's skin.

Pinocchio struggled for breath at the bottom of the sea, and in a flash, remembered all the bother he had given Geppetto, his broken promises too, and he called on the fairy.

The fairy heard Pinocchio's call and when she saw he was about to drown, she sent a shoal of big fish. They ate away all the donkey flesh, leaving the wooden Pinocchio. Just then, as the fish stopped nibbling, Pinocchio felt himself hauled out of the water. And the man gaped in astonishment at the living puppet, twisting and turning like an eel, which appeared in place of the dead donkey. When he recovered his wits, he babbled, almost in tears: "Where's the donkey I threw into the sea?"

"I'm that donkey", giggled Pinocchio.

"You!" gasped the man. "Don't try pulling my leg. If I get angry . . ."

However, Pinocchio told the man the whole story . . . "and that's how you come to have a live puppet on the end of the rope instead of a dead donkey!"

"I don't give a whit for your story," shouted the man in a rage. "All I know is that I paid twenty coins for you and I want my money back! Since there's no donkey, I'll take you to market and sell you as firewood!"

By then free of the rope, Pinocchio made a face at the man and dived into the sea. Thankful to be a wooden puppet again, Pinocchio swam happily out to sea and was soon just a dot on the horizon. But his adventures were far from over. Out of the water behind him loomed a terrible giant shark! A horrified Pinocchio sawits wide open jaws and tried to swim away as fast as he could, but the monster only glided closer. Then the puppet tried to escape by going in the other direction, but in vain. He could never escape the shark, for as the water rushed into its cavern-like mouth, he was sucked in with it. And in an instant Pinocchio had been swallowed along with shoals of fish unlucky enough to be in the fierce creature's path. Down he went, tossed in the torrent of water as it poured down the shark's throat, till he felt dizy. When Pinocchio came to his senses, he was in darkness. Over his head, he could hear the loud heave of the shark's gills. On his hands and knees, the puppet crept down what felt like a sloping path, crying as he went:

"Help! Help! Won't anybody save me?"

Suddenly, he noticed a pale light and, as he crept towards it, he saw it was a flame in the distance. On he went, till: "Father! It can't be you! . . ."

"Pinocchio! Son! It really is you . . ."

Weeping for joy, they hugged each other and, between sobs, told their adventures. Geppetto stroked the puppet's head and told him how he came to be in the shark's stomach.

"I was looking for you everywhere. When I couldn't find you on dry land, I made a boat to search for you on the sea. But the boat capsized in a storm, then the shark gulped me down. Lucklly, it also swallowed bits of ships wrecked in the tempest, so I've managed to survive by gettlng what I could from these!"

"Well, we're still alive!" remarked Pinocchio, when they had finished recounting their adventures. "We must get out of here!" Taking Geppetto's hand, the pair started to climb up the shark's stomach, using a candle to light their way. When they got as far as its jaws, they took fright, but as so happened, this shark slept with its mouth open, for it suffered from asthma.

As luck would have it, the shark had been basking in shallow waters since the day before, and Pinocchio soon reached the beach. Dawn was just breaking, and Geppetto, soaked to the skin, was half dead with cold and fright.

"Lean on me, father." said Pinocchio. "I don't know where we are, but we'll soon find our way home!"

Beside the sands stood an old hut made of branches, and there they took shelter. Geppetto was running a temperature, but Pinocchio went out, saying, "I'm going to get you some milk." The bleating of goats led the puppet in the right direction, and he soon came upon a farmer. Of course, he had no money to pay for the milk.

"My donkey's dead," said the farmer. "If you work the treadmill from dawn to noon, then you can have some milk." And so, for days on end, Pinocchio rose early each morning to earn Geppetto's food.

At long last, Pinocchio and Geppetto reached home. The puppet worked late into the night weaving reed baskets to make money for his father and himself. One day, he heard that the fairy after a wave of bad luck, was ill in hospital. So instead of buying himself a new suit of clothes, Pinocchio sent the fairy the money to pay for her treatment.

One night, in a wonderful dream, the fairy appeared to reward Pinocchio for his kindness. When the puppet looked in the mirror next morning, he found he had turned into somebody else. For there in the mirror, was a handsome young lad with blue eyes and brown hair. Geppetto hugged him happily.

"Where's the old wooden Pinocchio?" the young lad asked in astonishment. "There!" exclaimed Geppetto, pointing at him. "When bad boys become good, their looks change along with their lives!"